Monthly Archives: July 2017
You may be aware of the Disney movie Frozen. Lain hasn’t seen it yet, though she has an Ilsa doll that she got as a gift. But there was another movie by the name that came out a few years before.
It’s a very, very different movie.
The acting was okay. I only recognized one of the actors as the kid partner from The Following.
Not Disney’s Frozen is about three friends who get stuck on a sky lift. Nobody is going to be back for five days and if they don’t do something about it, they’re going to freeze to death. It’s an independent filmmaker’s dream of a plot, because for filming all you need to do is rent out a ski area when it’s not being used and that’s all you have to do for location expenses! All of the drama takes place right there.
The downside to that plot is that it’s hard to fill 90 minutes with it. They aren’t stuck until they’re about 30 minutes in. Some of the stretches of the movie are pretty slow. It’s one of those movies to watch while you’re doing something else.
Don’t watch it right before bed, though, because it is really really dark. I will share with you only one spoiler to give you an idea of how dark. One of the characters, after breaking his legs jumping off the ski lift, is eaten alive by wolves while the others look away. And the kicker? His fate isn’t the worst of the three.
The jumping character made the mistake of holding his legs out straight. Anyone who has ever watched movies knows that’s not what you do. It turns out that I was wrong about what you do do, though. I thought you’d be best just jumping in a ball, but you’re supposed to have bent legs that take some of the pressure as you fall. Lesson learned!
Anyway, I neither recommend the movie nor tell you to stay away from it. You can watch it for free (with ads) on TubiTV. It’s a good background movie, but only if you’re in the mood for something dark.
There are a lot of criticisms of modern country music. Much of it comes from people who don’t actually listen to it. Bo Burnham very, very obviously does.
A new CDC report could reignite the debate over Hollywood’s influence on teen tobacco use
The drop in the percentage of youth-oriented films featuring tobacco use, as well as the dramatic decline in tobacco occurrences in G and PG films, is positive. Still, tobacco impressions within films geared toward teens and young adults hasn’t improved since 2010. If it had, the CDC reports that all youth-rated films would have been completely smoke-free by 2015. Instead, “the average number of tobacco incidents increased 55 percent in youth-rated movies with any tobacco depiction,” a result of five of Hollywood’s six major movie companies — all of which have corporate tobacco depiction policies — featuring more tobacco use.
The answer to the issue lies with where, how much, and what type of tobacco is being used in cinema. In short, fewer movies are featuring not just more smoking but more kinds of tobacco use. That concentrated increase is once again raising concerns about the relationship between tobacco’s presence in media and an increased likelihood of picking up the habit.
To clarify: Smoking in youth-oriented movies is down, it’s especially down in movies aimed at younger audiences where people are most impressionable, and of course smoking rates among the young are down. They really, really need something to be alarmed about.
Smoking rates are down and have been doing down a while. Smokers are going broke paying ever-increasing taxes on cigarettes. Most people hate smoking, and smokers. More smokers than not hate smoking and themselves for their havit. Can public health at some point just declare victory and go home?
Before getting to the substance it is worth noting that this is really the first bit of genuine regulation proposed by the FDA Center for Tobacco Products (CTP) in its eight years. Despite CTP reportedly approaching $4 billion in cumulative expenditures, it has only implemented a few inconsequential rules that were specifically required by the enabling legislation, and has never actually created a standard or specific requirement like a real regulator. Instead, everything it has done has been what I have dubbed weaponized kafkaism. The variation on the word “kafkaesque” refers, of course, to Kafka’s horror stories of bureaucratic (in the pejorative sense) rules that create injustice via impossible procedural burdens. “Weaponized” refers to turning something that is harmful but not malign into a tool for intentionally inflicting harm. CTP has turned filing and paperwork hurdles into a weapon.
It is bad enough when sloppiness, laziness, and incompetence create cost, inefficiency, opaque or even impossible requirements, and uncertainty. But in this case, those results — throwing sand in the gears of the regulated industry, making whatever they and their customers want to do difficult and uncertain — are the goals of the agency. Sloppiness, laziness, and incompetence tend to cause kafkaesque burdens to pile up if no effort is made to push back. They also perfectly camouflage the malevolence of intentionally created burdens.
The march toward a near-ban of e-cigarettes is an example of this. Products will not be banned because they violate some standard or other substantive requirement. CTP is simply taking advantage of the administrative rules that any products that were not on the market in 2007 (i.e., all e-cigarettes) must receive approval as a new product. Requiring new product approvals is not itself particularly unusual or problematic regulation until you observe that CTP has no rules about what makes a new product approvable. It is not even clear what an application should contain. Any application can, and probably will, be arbitrarily disapproved. This is even worse than the oft-noted fact that the new product application process is prohibitively expensive for anything other than a very promising mass-production product, which >99% of e-cigarette products are not, though that also is a kafkaesque burden.
— Just L (@JustLittleOldL) July 1, 2017